Rachel's photo featuring a blue Decolonize T Shirt

Rachel O’Hanlon-Rodriguez

They/She/He/We/Us

Rachel O’Hanlon-Rodriguez is a multidisciplinary performance-based artist, organizer, trauma informed facilitator, non-profit whiz, and human living with C-PTSD. Their creative work explores generational cycles, borders and sovereignty through historic inquiry, poetry, and comedy. Their poetry has been published in the Philadelphia Inquirer (2023), Routledge (2024), and Toho Journal (RIP, 2020). Her solo show, She Was A Conquistawhore, received the 2023 New BIPOC Performance Award from Cannonball and has toured across the country from Denver to Rhode Island. They’ve acted, built care practices, and provided research for theater companies across the region including Die Cast, the Bearded Ladies Cabaret, Power Street Theatre, Delaware Shakespeare, among others. During the day, Rachel serves as a staff member at Spiral Q who uses the power of art to connect people, neighborhoods, and movements to their collective creative force for change. A storyteller in search of healing, Rachel’s work draws from trauma informed care, transformative healing justice, decolonization and abolition. They create worlds of transformation, spaces of truth-telling necessary to reconnect one another to our curiosity. 

Awarded Grants

2025
Art and Change Grant (ACG)

2,500
Discipline(s)
Folk Arts
Performance
Social Change Intents
Decarceration (Effective 2019)
Immigrant Justice (Effective 2019)
Racial Justice

Rachel O’Hanlon-Rodriguez’s project, Community Dinners (or Sinful Feasts), will bring together concerned neighbors, organizers, artists, and educators for free communal meals and conversations on safety and justice. Through a series of dinners hosted in West, North, and South Philly, participants will share food and dialogue to collectively create a “culture change ingredient list” and individual action plans for change. The conversations will inform a free facilitator guide designed to help other organizers, alongside an interactive virtual space for continued exchange. The project will inform the development of THE UNTITLED COURT SHOW, a participatory theater work led by Rachel. In this performance, audiences will serve as judge, witness, and jury in a symbolic case against the concept of policing.